SART: Printmaking: Home

"Original drawings and collages ultra chrome printed on archival ink jet paper, covers are 100% cotton paper decorated with Japanese original papers."--Colophon.
"Each of the four books are 4.75 x 5" accordion fold bound into back cover of wrapper. Wrapper letterfold with Japanese paper band for 'flap' to slip into ... The four [books] are housed in a cloth bound book cover with tie closure, paper title label on front board"

Artist's book issued in portfolio box with an original woodcut illustration in anomorphic art form and a mirror made of plastic tubing and reflective polymer to view the woodcut.
Limited edition of 120 numbered copies and 30 hor de commerce copies numbered i-xxx, signed by the author and artist.
Art Special copy is no.47.

N7433.4.H54 D86 1993

"Ghost trees combines the poem by Martha Serpas with 23 drypoints and two etchings by Michele Burgess. It is the ninth volume in Burgess's "Stratigraphic Archives" series that explores the layered and intersecting accounts of human and natural history."-- Colophon.
"The poem was handset in Perpetua and printed letterpress by Nelle Martin on Cave 'Skin' paper. The drypoints were printed by hand from copper plates and were hand colored on Echizen Shikibu Gampi paper by the artist. The book was bound by Mark Tomlinson. The poem first appeared in The Dirty Side of the Storm (New York : W.W. Norton, 2007) and has been reprinted by permission

Box contains 80 folders of col. illus. and "Commentary" (48 pages).
Issued in a slipcase.

Edition of 20.
Polymer plate letterpress on handmade paper, in interlocking sheets, irregularly shaped and accordian folded on the diagonal, with hardboard covers and self tie

Mimeographed reproduction of typescript on individual leaves of grained white paper. Stapled and glued to white paper wrappers and tied with silver elastic cord. Wrappers have glued on pieces of handmade paper, with text in manuscript.
Wrappers, preliminaries, and colophon have glued on reproductions of 19th century labels from the Farmacia Francesa of Matanzas, owned by the Triolet family.

"Esta edition consta de doscientos ejemplares numerados... ejemplar number 114."
Handsewn; with a pocket with 12 pieces of a drawing to build another image of La cortada.

Introduction signed S. R. Koehler.
Each plate accompanied by leaf with descriptive letterpress, not included in collation.

Linford, Mary Jeanne

Includes a signed copy of one of the seven lithographs (Sink 36/43) printed especially for this album.
Limited to 300 sets signed by the artist, number 121

Reliquary is the second collaboration between Michele Burgess and Martha Serpas. The poems are centered in the American South, where her hometown of Galliano, Louisiana, is disappearing into the Gulf of Mexico because of coastal erosion and rising seawaters. Burgess's etchings are concerned with the disappearance of the languages and patterns of nature. This is volume nine of the "Stratigraphic archives" series--Colophon.
The text was hand set in Twentieth Century Medium and printed letterpress by Nelle Martin on Rives BFK paper. The etchings are "ghost" printings on Twinrocker paper collaged with torn fragments from the first impression of the print on Gampi pape

8 volumes in portfolio : illustrations (part color) ; 27 x 31 cm

Title from box.
In oval shaped cloth wrap box (18 x 13 x 5 cm.).
Photographs and text printed with archival ink on Moab paper.
Limited edition of 8 copies.
Sherman Special copy: No. 8/8.

Written by the Scripps College typography class under the supervision of Kitty Maryatt: Jayoung Park, Mark Delsman, Miki Matsuda, Tia Clock, Betsy Huff, Justin Leitstein, Rakhee Gupta, Glenda Ebersole.
Each of the eight students authored, made papers, selected type and signed a section of the book.