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  1. Dartmouth Libraries
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  3. FILM 47.26 - Film and Fashion: Dressing the Part
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FILM 47.26 - Film and Fashion: Dressing the Part

This is a course guide for FILM 47.26.
  • Home
    • Course description
    • Defining costume (fashion)
    • In the Library's collections
    • Introductory reading(s)
    • Selected book title(s)
    • Other library resource(s)
    • Selected film(s) for Film and Fashion
    • Finding scholarly articles & journal title(s)
    • Internet resource(s)
    • Citing and Tracking Your Bibliographic References
    • Keeping up with Film Studies journal literature

Subject Librarian

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Lucinda M. Hall
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Subjects: Film and Media Studies, Geography, Polar Studies

Course description

This course examines the interrelations between film, costuming, and fashion cultures. We will look at theories of fashion, “the fashioned body,” and costume, reading them against trends in fashionable dress, body image, and fashion subcultures, as well as against histories of film costuming and spectacle. Screenings include media texts from different historical periods that reflect or have influenced fashion of their time and/or represent interesting challenges for costuming.

[Source: ORC/Catalog, 07/31/2023]; Dist:ART; WCult:W

Defining costume (fashion)

COSTUME

The clothing or props worn by actors; an important element of production design and mise-en-scene in virtually all films. In film studies, early writing on costume (often in glossy large-format books) tended to focus on the role of individuals such as Hollywood studio-era costume designer, Edith Head, or French costume designer Rosine Delamare. More recent critical work has examined the role of costume in the cinema in a range of different ways, including: as a distinct feature of the iconography of genre films such as the western, gangster film, and, of course, the costume drama; as a discrete element of film style, especially in the role costume plays in the way an actor constructs a character and as a central feature of the cultivation of star personae (see stars). Costume is also considered an essential element of narrative where, it is claimed, it remains largely subservient to the demands of verisimilitude, continuity, and coherence of plot. However, costume is a site of excess and spectacle (especially in melodrama and the musical) and can therefore be disruptive of classical film style (see classical Hollywood cinema).   ...

Kuhn, A., & Westwell, G. (2020). Costume. In A Dictionary of Film Studies. Oxford University Press. Retrieved 31 Jul. 2023

In the Library's collections

You can use one of these subject headings to start your research in the library's online catalog:

  • fashion in motion pictures
  • clothing and dress in motion pictures
  • costume design AND motion pictures
    This is a subject, keyword search to narrow the search to costume design in cinema.
  • costume united states history
  • costume symbolic aspects
  • fashion united states history
  • fashion design
  • fashion designers

Introductory reading(s)

  • Cover ArtClothes make the character: the role of wardrobe in early motion pictures by Lora Ann Sigler
    • On Campus or VPN
    • E-Book
    Call Number: eBook
    ISBN: 9781476681856
    "Clothes make the man" (or woman). This is especially true in early Hollywood silent films where a character's appearance could show an immense number of different things about them. For example, Theda Bara's role in A Fool There Was (1915) was known for her revealing clothing, seductive appearance, and being the first "Vamp." Wardrobe and costume design played a larger role in silent films than in modern movies. The character's clothes told the audience who they were and what their role was in the movie. In this in-depth analysis, the author provides examples and explanations about noteworthy characters who used their appearance to further their fame.
  • Cover artThe complete costume dictionary by Elizabeth J. Lewandowski
    • On Campus or VPN
    • E-Book
    Call Number: eBook
    ISBN: 9780810840041
    While there are costume and fashion dictionaries tied to specific countries or periods, none have been comprehensive. In The Complete Costume Dictionary, Elizabeth Lewandowski has collected from a variety of sources--including costume history texts, journal articles, historical publications, autobiographies, biographies, foreign language dictionaries, and contemporary publications--to create a resource that spans the globe, from the earliest record of fashion to the 21st century. Including more than 20,000 fashion and costume terms, this volume also features more than 300 illustrations. ...
  • Cover artCostume design by Deborah Nadoolman Landis
    • Book
    Call Number: Baker-Berry PN 1995.9 .C56 L35 2012
    ISBN: 9780240818665
    Actors often say they only really assume the identity of their character when they have donned the costumes painstakingly created for them by the costume designer. In this volume of the FilmCraft series of books, sixteen of the world's leading costume designers come together to share their inspiration and knowledge with the reader. They provide insights into the challenges of envisioning a character, working with budgets, and collaborating with production designers, actors and directors. ...
  • Cover ArtCreating the illusion: a fashionable history of Hollywood costume designers by Jay Jorgensen; Donald L. Scoggins
    • Book
    Call Number: Baker-Berry PN 1995.9 .C56 J67 2015
    ISBN: 9780762456611
    Marilyn Monroe made history by standing over a subway grating in a white pleated halter dress designed by William Travilla. Hubert de Givenchy immortalized the Little Black Dress with a single opening scene in Breakfast at Tiffany's . A red nylon jacket signaled to audiences that James Dean was a Rebel Without a Cause. For more than a century, costume designers have left indelible impressions on moviegoers' minds. Yet until now, so little has been known about the designers themselves and their work to complement and enrich stories through fashion. Creating the Illusion presents the history of fashion on film, showcasing not only classic moments from film favourites, but a host of untold stories about the creative talent working behind the scenes to dress the stars from the silent era to the present day. ...
  • Cover artFashion A to Z: an illustrated dictionary by Alex Newman; Zakee Shariff
    • Book
    Call Number: Sherman Art Library TT 503 .N493 2009
    ISBN: 9781856695732
    Aimed at fashion and textile students, Fashion A to Z fills a gap in the market for an affordable, accessible,and up-to-date guide to fashion terminology. Bringing together all the key words commonly used in colleges and in industry, this fashion reference book is beautifully illustrated with diagrams and drawings of fashion details and costumes that bring the subject to life. ...
  • Cover artFashion in film by Adrienne A. Munich
    • Book
    Call Number: Baker-Berry PN 1995.9 .C56 F385 2011
    ISBN: 9780253356130
    The vital synergy between dress and the cinema has been in place since the advent of film. Broaching topics such as vampires, noir, and Marie Antoinette looks, Fashion in Film uncovers the way in which the alliance of these two powerhouse industries use myriad cultural influences -- shaping narrative, national identity, and all points in between. ...

Selected book title(s)

  • Cover artDressing dangerously: dysfunctional fashion in film by Jonathan Faiers
    • Book
    Call Number: Baker-Berry PN 1995.9 .C56 F35 2013
    ISBN: 9780300184389
    When Marlene Dietrich makes her entrance in Alfred Hitchcock's Stage Fright, the Dior dress she wears immediately draws the viewer's attention--not because of its designer label, but owing to the dramatic blood stains ruining its stylish surface. Fashion in film goes far beyond glamorous costumes on glamorous stars, as Jonathan Faiers proves in Dressing Dangerously, a pioneering study of the "cinematic negative wardrobe" revealed in mainstream movies. The book emphasizes how problematic, even shocking depictions of dress, until now largely overlooked, play pivotal roles in shaping film narrative. ...
  • Cover ArtFilm, fashion, and the 1960s by Eugenia Paulicelli; Drake Stutesman; Louise Wallenberg, eds. by)
    • On Campus or VPN
    • E-Book
    Call Number: eBook
    ISBN: 9780253025593
    A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. ...
  • Cover artFashion in fiction: text and clothing in literature, film, and television by Peter McNeil; Vicki Karaminas; Catherine Cole, eds.
    • Book
    Call Number: Baker-Berry PN 56 .C684 F38 2009
    ISBN: 9781847883575
    Fashion in Fiction examines the ways in which dress 'performs' in a wide range of contemporary and historical literary texts. Essays by North American, European and Australian scholars explore the function of clothing within fictional narratives, including those of film, television and advertising. The book provides a groundbreaking examination of the interconnected worlds of fashion and words, providing perspectives from socio-cultural, historical and theoretical readings of fashion and text-based communication. ...
  • Cover ArtFilm and fashion amidst the ruins of Berlin: from Nazism to the Cold War by Mila Ganeva
    • Book
    Call Number: Baker-Berry PN 1995.9 .C56 G37 2018
    ISBN: 9781571135766
    This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such as The Murderers Are among Us, Street Acquaintance, and Destinies of Women as well as neglected works such as And the Heavens above Us, Martina, Modell Bianka, and Ingrid: Die Geschichte eines Fotomodells. ...
  • Cover artHollywood catwalk: exploring costume and transformation in American film by Tamar Jeffers McDonald
    • Book
    Call Number: Baker-Berry PN 1995.9 .C56 M33 2010
    ISBN: 9781848850408
    The High School outsider takes off her glasses, puts on a dress, and becomes the Prom Queen; the dowdy woman has her hair done, buys some chic new clothes and starts to attract the men. Cinderella and Pygmalion stories still provide inspiration for the plots of Hollywood romantic comedies, dramas, and even action films. Their perennial use prompts a series of questions: is, for example, male agency necessary to effect the transformation, or can the woman change herself? Can she ever change him? Most pressingly, what do these images of change and transformation, of improvement and transcendence tell us, the viewers, about what we should be doing? ...
  • Cover artHollywood dressed & undressed: a century of cinema style by Sandy Schreier
    • Book
    Call Number: Baker-Berry PN 1995.9 .C56 S37 1998
    ISBN: 9780847821105
    A look at the most memorable costumes in film history offers lively anecdotes and facts about Hollywood's stars, their trademark outfits, and the designers who made them, illustrated with 240 photographs from classic and contemporary motion pictures.
  • Cover artIn VOGUE: the illustrated history of the world's most famous fashion magazine by Alberto Oliva; Norberto Angeletti
    • Book
    Call Number: Baker-Berry Oversize TT 500 .A1 A54 2006
    ISBN: 9780847828647
    A lavishly illustrated history of the international fashion magazine showcases hundreds of covers and archival interiors from past editions while tracing its history, development, and influence, in a volume that discusses each stage of the magazine's production, from runways and editorial meetings to the production process.
  • Cover artUndressing cinema: clothing and identity in the movies by Stella Bruzzi
    • Book
    Call Number: Baker-Berry PN 1995.9 .C56 B78 1997
    ISBN: 9780415139571
    From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis. ...
  • Cover ArtThe United States of fashion: a new atlas of American style by The Editors of VOGUE
    • Book
    Call Number: Baker-Berry TT 504.4 .U55 2021
    ISBN: 9780847871032
    In their February 2021 issue, VOGUE launched The United States of Fashion, a project that shined a spotlight on the creativity and craft flourishing throughout the country. Exploring the innovation and entrepreneurialism that defines American fashion, VOGUE goes coast to coast from Detroit to El Paso to Indianapolis to Nashville, where the most exciting new designers are creating and designing locally. ...

Other library resource(s)

  • Resource logoCostume and fashion from Oxford Bibliographies Online by Nancy L. Friedland
    • On Campus or VPN
    Call Number: Electronic resource
    ISBN: 9780199791286
    Costume is an essential element of the overall design of a film. Working within the director’s vision for the film, costume designers try to replicate clothing by investigating the dress and fashion of the time, or historical period, and essentially dress actors to look (or more fully become) their characters. A costume can be tailor made, purchased, or rented. In the earliest days of cinema, actors wore their own clothing, but this would change with the advent of feature-length narrative films. The costume designer soon became an important part of the production design team. ...
  • Cover artVOGUE magazine archive by Condé Nast
    • On Campus or VPN
    • Database
    Call Number: Electronic resource
    VOGUE is an American monthly fashion and lifestyle magazine that covers haute couture fashion, beauty, culture, living, the runway and other topics.
  • Resource logoJSTOR image search
    • On Campus or VPN
    • Database
    Call Number: Electronic resource
    You can use this searchable database of more than 300,000 images to find examples of fashion used in films and those designers who worked in films.
  • Resource logoVideofashion by Videofashion Network
    • Video
    • On Campus or VPN
    Call Number: Streaming video
    Videofashion is the world’s premiere fashion video producer and supplier. Videofashion’s archive is a veritable time capsule documenting the art and industry of fashion from 1976 to present day.
  • Resource logoVideofashion collections by Videofashion Network
    • Video
    • On Campus or VPN
    Call Number: Streaming video
    Videofashion Collections presented by Videofashion Daily is a front row seat to the creative genius of New York, London, Milan and Paris Fashion Weeks that set the fashion trends for Spring/Summer and Autumn/Winter. Videofashion Collections delivers comprehensive and rapid coverage of each major fashion show, complete with extensive and unparalleled VIP access to, and interviews with: designers, fashion editors, makeup artists, models, fashion luminaries, and celebrities. ...

Selected film(s) for Film and Fashion

  • Cover ArtFashion in film by Gregg Backer; Evan Kanew; Rachel Zalis
    • DVD
    Call Number: Jones Media DVD #18554
    Fashion and film definitely go hand in hand because a movie's costume design influences the way audiences perceive actors or the characters they are portraying. Perfect or people who don't know much about clothes or don't really care who is wearing what on the red carpet, this documentary successfully summarizes the history of motion picture costume design. It emphasizes the fact that costume designers are intimately involved in film production, because what stars wear on screen often kick-starts new fashion trends. ...

Finding scholarly articles & journal title(s)

You can find scholarly literature for fashion in film studies in a variety of journals. However, if you want to do targeted searching, you can use a subject specific database such as Film & Television Literature Index. We have one journal which looks exclusively at fashion and film. It is listed below. You can also use the search box at the top of the page.

  • Issue cover artFilm, fashion & consumption
    • On Campus or VPN
    Call Number: Electronic journal
    Film, Fashion & Consumption is a peer-reviewed journal designed to provide an arena for the discussion of research, methods and practice within and between the fields of film, fashion, design, history, art history and heritage. ... The journal aims to unite and enlarge a community of researchers and practitioners in film, fashion, consumption and related fields, whilst also introducing a wider audience to new work, particularly to interdisciplinary research which looks at the intersections between film, fashion and consumption.
  • Resource logoArt full text by EBSCO Publishing
    • On Campus or VPN
    • Database
    Call Number: Electronic resource
    Offers full text plus abstracts of articles published from 1984-present. Coverage includes all aspects of the Visual Arts & Art History. Indexing includes images and advertisments.
  • Resource logoFilm & television literature index
    • On Campus or VPN
    • Database
    Call Number: Electronic resource
    This index covers over 300 journal and magazine titles for film and television reviews, scholarly and critical analysis of cinema and television, and articles of popular interest about film and television. About half the journals and magazines are film periodicals and the other half cover film and television with some regularity. Subject coverage includes film & television theory, preservation & restoration, writing, production, cinematography, technical aspects, and reviews.
  • Resource logoScreen studies collection by ProQuest
    • On Campus or VPN
    • Database
    Call Number: Electronic resource
    A comprehensive survey of current publications related to film scholarship alongside detailed filmographies. This collection includes the FIAF International Index to Film Periodicals Database and the detailed and complementary filmographies created by the American Film Institute (AFI) and the British Film Institute.
  • Resource logoWeb of science citation databases by Clarivate
    • On Campus or VPN
    • Database
    Call Number: Electronic resource
    The online version of 3 separate ISI indexes: Arts & Humanities Citation Index, Science Citation Index and, Social Sciences Citation Index.

Internet resource(s)

  • WI Center for Film & Theater Research
    Edith Head Papers, 1934-1965
    • Link
    The Edith Head Collection contains the papers of one of Hollywood's leading costume designers. The collection features some of her personal papers, but is largely comprised of costume sketches completed by Head and her teams of designers. Watercolor, pen and ink, and pencil sketches, many bearing notes on fabric and costs, comprise the majority of the collection. ...
  • Fashion in Film
    • Link
    From the Museum of Arts and Design (MAD), Vanity Fair and the Film Society of Lincoln Center, this exhibit celebrates fashion, design, and style on the silver screen.
  • Film and Fashion: Just Friends (NYTimes)
    • On Campus or VPN
    • Link
    • Newspaper
    An article from The New York Times on March 3, 2010.
  • Association of Motion Picture Arts & Sciences logo
    Irene Scrapbooks
    • Open Access Icon
    • Database
    This digital collection contains selected Irene scrapbooks, which include clippings, correspondence, photographs and other ephemera. Irene, born Irene Lentz and also known as Irene Gibbons, was an American costume designer active from the 1930s to early 1960s. She received Oscar nominations for costume design for B.F.'s Daughter (1948) and Midnight Lace (1960). [Margaret Herrick Library Digital Collections]
  • A Shaded View on Fashion Film
    • Link
    A film festival and competition about fashion in film.

Citing and Tracking Your Bibliographic References

Use this guide to help you learn how to correctly cite and keep track of the references you find for your research.

  • Citation Resources
    • Link
    Resources to help you cite and manage references.

Keeping up with Film Studies journal literature

Want an easy way to keep up with the journal literature for all facets of Film Studies? And you use a mobile device? You can install the BrowZine app and create a custom Bookshelf of your favorite journal titles. Then you will get the Table of Contents (ToCs) of your favorite journals automatically delivered to you when they become available. Once you have the ToC's, you can download and read the articles you want from the journals for which we have subscriptions.

You can get the app from the App Store or Google Play.

Don't own or use a mobile device? You can still use BrowZine! It's also available in a web version. You can get to it here. The web version works the same way as the app version. Find the journals you like, create a custom Bookshelf, get ToCs and read the articles you want.

  • Last Updated: Jan 25, 2024 4:34 PM
  • URL: https://researchguides.dartmouth.edu/film4726courseguide
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