What's On Display at Feldberg Library

After One Hundred Winters confronts the harsh truth that the United States was founded on the violent dispossession of Indigenous people and asks what reconciliation might mean in light of this haunted history. In this timely and urgent book, settler historian Margaret Jacobs tells the stories of the individuals and communities who are working together to heal historical wounds--and reveals how much we have to gain by learning from our history instead of denying it. Jacobs traces the brutal legacy of systemic racial injustice to Indigenous people that has endured since the nation's founding. Drawing on dozens of interviews, After One Hundred Winters reveals how Indigenous people and settlers in America today, despite their troubled history, are finding unexpected gifts in reconciliation.

Science fiction often operates as either an extended metaphor for human relationships or as a genuine attempt to encounter the alien Other. Both types of stories tend to rehearse the processes of colonialism, in which a sympathetic protagonist encounters and tames the unknown. Despite this logic, Native American writers have claimed the genre as a productive space in which they can critique historical colonialism and reassert the value of Indigenous worldviews. Demonstrating how Indigenous science fiction expands the boundaries of the genre while reinforcing the relevance of Indigenous knowledge, Brown Spiers illustrates the use of science fiction as a critical compass for navigating and surviving the distinct challenges of the twenty-first century.

In myriad ways, each narrator's life has been shaped by loss, injustice, and resilience--and by the struggle of how to share space with settler nations whose essential aim is to take all that is Indigenous. Theirs are stories shaped by loss, injustice, resilience, and the struggle to share space with settler nations.

This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism's histories. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492. Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson.

In an urgent and visceral work that asks essential questions about the treatment of Native people in North America while drawing on intimate details of her own life and experience with intergenerational trauma, Alicia Elliott offers indispensable insight into the ongoing legacy of colonialism. She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrification, writing and representation, and in the process makes connections both large and small between the past and present, the personal and political.

Beginning with the writings of Samson Occom, and extending through a range of fiction and nonfiction works by William Apess, Sarah Winnemucca, Zitkala-Sa, N. Scott Momaday, Gerald Vizenor, and Louise Erdrich, Geoff Hamilton sketches a movement of gradual but resolute ascent in Native American literature. A New Continent of Liberty examines, against the backdrop of Euro-American Literature, how Native American authors have sought to reclaim and redefine distinctive versions of an ideal of self-rule grounded in the natural world.

A haunting novel spanning several generations, The Seed Keeper follows a Dakhóta family's struggle to preserve their way of life, and their sacrifices to protect what matters most. Weaving together the voices of four indelible women, The Seed Keeper is a beautifully told story of reawakening, of remembering our original relationship to the seeds and, through them, to our ancestors.

I stand in the midst of creation's wheel And watch in wonder the quiet majesty of its turning. We are in the care of a love without limit or definition Under the protection of a love that never looks away. When the Spirit speaks to him in his daily prayers, Choctaw elder and spiritual explorer Steven Charleston takes a pen and writes down the messages. He then shares these thoughts with thousands on social media. In these musings, Charleston taps into the universal questions that draw us to prayer, no matter our spiritual background: Why am I here? Where do I belong? Where am I going? This stunning collection of more than two hundred meditations introduces us to the Spirit Wheel and the four directions that ground Native spirituality: tradition, kinship, vision, and balance.

Jacquie Red Feather is newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle's death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. They converge and collide on one fateful day at the Big Oakland Powwow and together this chorus of voices tells of the plight of the urban Native American--grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism

The first-ever anthology of Aboriginal and Torres Strait Islander speculative fiction - written, curated, edited and designed by blackfellas, for blackfellas and about blackfellas. In these stories, 'this all come back': all those things that have been taken from us, that we collectively mourn the loss of, or attempt to recover and revive, as well as those that we thought we'd gotten rid of, that are always returning to haunt and hound us. Some writers summon ancestral spirits from the past, while others look straight down the barrel of potential futures, which always end up curving back around to hold us from behind. Dazzling, imaginative and unsettling, This All Come Back Now centres and celebrates communities and culture. It's a love letter to kin and country, to memory and future-thinking.

'Education is the new buffalo' is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival, as once Plains nations supported themselves as buffalo peoples. Chelsea Vowel asks, 'Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?' Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Metis lens. Indigenous futurisms seek to discover the impact of colonisation, remove its psychological baggage, and recover ancestral traditions. These eight short stories of 'Metis futurism' explore Indigenous existence and resistance through the specific lens of being Metis.

Oscar Hokeah's electric debut takes us into the life of Ever Geimausaddle, whose family--part Mexican, part Native American--is determined to hold onto their community despite obstacles everywhere they turn. How will this young man visualize a place for himself when the world hasn't made room for him to start with? Honest, heartbreaking, and ultimately uplifting, Calling for a Blanket Dance is the story of how Ever Geimausaddle finds his way home.

Jacob Neptune, a wise-cracking, two-fisted Penacook private investigator with a checkered past, lives in upstate New York--four hundred miles from his tribal community on Abenaki Island. Then one night the phone rings. "We . . . got . . . trouble," Neptune's cousin Dennis says from the other end. And trouble is where it all starts in this brilliant, often hilarious novel by acclaimed Abenaki storyteller Joseph Bruchac. Bruchac ratchets the tension from the first page to the last in this detective novel that pairs comedy and action with serious consideration of corporate greed, environmental destruction, cultural erosion, and other modern-day issues pressing Native peoples.

The long-awaited, profoundly moving, and unforgettable new novel from PEN Award-winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day. From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried. A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.

A rare and often intimate glimpse at the resilience and perserverance of Native women who face each day positively and see the richnes in their lives.

From award-winning Métis author Michelle Porter, a powerfully funning and moving story told not just by five generations of Métis women, but also by the land, the bison that surround them, and two utterly captivating dogs. This extraordinary novel, told by a chorus of vividly realized, wise, confused, struggling characters attempting to make sense of this life and the next, heralds the arrival of a stunning new voice in literary fiction.

Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment.

Love Beyond Body, Space, and Time is a collection of indigenous science fiction and urban fantasy focusing on LGBT and two-spirit characters. These stories range from a transgender woman undergoing an experimental medication that enables her to live the lives of her maternal ancestors to young lovers separated through decades and meeting in the future. These are stories of machines and magic, love and self-love.

With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the council and community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader, they endeavour to restore order while grappling with a grave decision.

MOONSHOT: The Indigenous Comics Collectionbrings together dozens of creators from North America to contribute comic book stories showcasing the rich heritage and identity of indigenous storytelling. From traditional stories to exciting new visions of the future, this collection presents some of the finest comic book and graphic novel work on the continent.

Many Indigenous people believe that one should never whistle at night. This belief takes many forms- for instance, Native Hawaiians believe it summons the Hukai'po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear-and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples' survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Set in a Native community in Maine, Night of the Living Rez is a riveting debut collection about what it means to be Penobscot in the twenty-first century and what it means to live, to survive, and to persevere after tragedy. In twelve striking, luminescent stories, author Morgan Talty--with searing humor, abiding compassion, and deep insight--breathes life into tales of family and a community as they struggle with a painful past and an uncertain future. A collection that examines the consequences and merits of inheritance, Night of the Living Rez is an unforgettable portrayal of an Indigenous community and marks the arrival of a standout talent in contemporary fiction.

Jared can't count on his mom to stay sober and stick around to take care of him. He can't rely on his dad to pay the bills and support his new wife and step-daughter. Jared is only sixteen but feels like he is the one who must stabilize his family's life, even look out for his elderly neighbours. But he struggles to keep everything afloat...and sometimes he blacks out. And he puzzles over why his maternal grandmother has never liked him, why she says he's the son of a trickster, that he isn't human. Mind you, ravens speak to him--even when he's not stoned. You think you know Jared, but you don't.

Leslie Marmon Silko's groundbreaking book Storyteller, first published in 1981, blends original short stories and poetry influenced by the traditional oral tales that she heard growing up on the Laguna Pueblo in New Mexico with autobiographical passages, folktales, family memories, and photographs. As she mixes traditional and Western literary genres, Silko examines themes of memory, alienation, power, and identity; communicates Native American notions regarding time, nature, and spirituality; and explores how stories and storytelling shape people and communities. Storyteller illustrates how one can frame collective cultural identity in contemporary literary forms, as well as illuminates the importance of myth, oral tradition, and ritual in Silko's own work. This edition includes a new introduction by Silko and previously unpublished photographs.

From award-winning, New York Times bestselling author Louise Erdrich comes an arresting, lyrical novel set in North Dakota at a time when Indian tribes were struggling to keep what little remained of their lands. Tracks is a tale of passion and deep unrest. Over the course of ten crucial years, as tribal land and trust between people erode ceaselessly, men and women are pushed to the brink of their endurance--yet their pride and humor prohibit surrender. The reader will experience shock and pleasure in encountering characters that are compelling and rich in their vigor, clarity, and indomitable vitality.

Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison castle,where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star's son, Charles, is sent to the school, where he is brutalized by the man who was once his father's jailer. Under Pratt's harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines. In a novel that is by turns shattering and wondrous, Tommy Orange has conjured the ancestors of the family readers first fell in love with in There There--warriors, drunks, outlaws, addicts--asking what it means to be the children and grandchildren of massacre.