What's On Display at Feldberg Library

Around the World in 80 Ways offers a (sometimes opinionated) discussion of 80 data-driven maps of our planet. Taken together, the maps tell a story about the physical world; about the impact our species is having on the world; and about how people live in the world - or at least how we lived immediately before the emergence of Covid-19. The maps lie. All maps lie. But the origins of the deceptions are explained, the data sources are signposted and referenced, and the readers are shown how to create their own maps using freely available software.

This open access book explores the intertwined histories of mapmaking and copyright law in Britain from the early modern period up to World War 1, focusing chiefly on the 18th and 19th centuries. Taking a multidisciplinary approach and making extensive use of the archival record, this is the first detailed, historical account of the relationship between maps and copyright. As such, it examines how the emergence and development of copyright law affected mapmakers and the map trade and how the application of copyright law to the field of mapmaking affected the development of copyright doctrine. Its explorations cast new light on the circulation of geographical knowledge, different cultures of authorship and creativity, and connections between copyright law, print culture, technology, and society.

Almost universally, newly independent states seek to affirm their independence and identity by making the production of new maps and atlases a top priority. For formerly colonized peoples, however, this process neither begins nor ends with independence, and it is rarely straightforward. Mapping their own land is fraught with a fresh set of issues: how to define and administer their territories, develop their national identity, establish their role in the community of nations, and more. The contributors to Decolonizing the Map explore this complicated relationship between mapping and decolonization while engaging with recent theoretical debates about the nature of decolonization itself.

In this richly illustrated book, Laura Vaughan examines maps of ethnic or religious difference, poverty, and health inequalities, demonstrating how they not only serve as historical records of social enquiry but also constitute inscriptions of social patterns that have been etched deeply on the surface of cities. The book covers themes such as the use of visual rhetoric to change public opinion, the evolution of sociology as an academic practice, changing attitudes to physical disorder, and the complexity of segregation as an urban phenomenon. While the focus is on historical maps, the narrative carries the discussion of the spatial dimensions of social cartography forward to the present day, showing how disciplines such as public health, criminology, and urban planning chart spatial data in their current practice.  

In this concise introduction to the history of cartography, Norman J. W. Thrower charts the intimate links between maps and history from antiquity to the present day. A wealth of illustrations, including the oldest known map and contemporary examples made using Geographical Information Systems (GIS), illuminate the many ways in which various human cultures have interpreted spatial relationships. The third edition of "Maps and Civilization" incorporates numerous revisions, features new material throughout the book, and includes a new alphabetized bibliography.

He [Mark Monmonier] takes us back to 1569, when Mercator announced a clever method of portraying the earth on a flat surface, creating the first projection to take into account the earth's roundness. As Monmonier shows, mariners benefited most from Mercator's projection, which allowed for easy navigation of the high seas with rhumb lines clear-cut routes with a constant compass bearing for true direction. But the projection's popularity among nineteenth-century sailors led to its overuse often in inappropriate, non-navigational ways for wall maps, world atlases, and geopolitical propaganda.

Offers a unique insight into the evolution of map-making and the science behind it, from the stone age to the digital age.

Map making and, ultimately, map thinking is ubiquitous across literature, cosmology, mathematics, psychology, and genetics. We partition, summarize, organize, and clarify our world via spatialized representations. Our maps and, more generally, our representations seduce and persuade; they build and destroy. They are the ultimate record of empires and of our evolving comprehension of our world. This volume is about the promises and perils of map thinking.

This is a collection of maps that tread off the beaten path of mapmaking and redefine exactly what a map can do. Some incorporate strategies from infographics, such as one that uses abstract depictions of public transportation lines to display riders travel patterns, while others use traditional strategies to explore contemporary subjects such as maps of countries in video games, gentrification in Brooklyn, or the geology of Great Britain. With hundreds of innovative maps from cartographers around the world, in which innovation, observation, and artistic vision are linked as one.

In this book Edney disavows the term cartography, rejecting the notion that maps represent an undifferentiated category of objects for study. Rather than treating maps as a single, unified group, he argues, scholars need to take a processual approach that examines specific types of maps--sea charts versus thematic maps, for example--in the context of the unique circumstances of their production, circulation, and consumption.

Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, maps of the world are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the almost mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world.

Originally published to wide acclaim, this lively, cleverly illustrated essay on the use and abuse of maps teaches us how to evaluate maps critically and promotes a healthy skepticism about these easy-to-manipulate models of reality. Monmonier shows that, despite their immense value, maps lie. In fact, they must.... To show how maps distort, Monmonier introduces basic principles of mapmaking, gives entertaining examples of the misuse of maps in situations from zoning disputes to census reports, and covers all the typical kinds of distortions from deliberate oversimplifications to the misleading use of color.

The Island of Lost Maps is the story of a curious crime spree: the theft of scores of valuable centuries-old maps from some of the most prominent research libraries in the United States and Canada. The perpetrator was the Al Capone of cartography, a man with the unlikely name of Gilbert Bland, Jr., an enigmatic antiques dealer from south Florida whose cross-country slash-and-dash operation went virtually undetected until he was caught in December 1995. This is also the spellbinding story of author Miles Harvey's quest to understand America's greatest map thief, a chameleon who changed careers and families without ever looking back.

Maps are often as much a visual art form as they are a practical tool for navigation. Of particular visual interest are display maps--maps that often used size and beauty to convey messages of regional and social status and power. Despite their historical significance, many of these display maps have been lost and destroyed over time. Magnificent Maps brings together the best surviving examples in order to illustrate their role in early modern Europe and describe the settings in which they were displayed.

Jennings takes readers on a world tour of geogeeks from the London Map Fair to the bowels of the Library of Congress, from the prepubescent geniuses at the National Geographic Bee to the computer programmers at Google Earth. Each chapter delves into a different aspect of map culture: highpointing, geocaching, road atlas rallying, even the "unreal estate" charted on the maps of fiction and fantasy. He also considers the ways in which cartography has shaped our history, suggesting that the impulse to make and read maps is as relevant today as it has ever been.

Timothy Barney considers maps as central to the articulation of ideological tensions between American national interests and international aspirations.... Pointing to the necessity of how politics and values were spatialized in recent U.S. history, Barney argues that Cold War-era maps themselves had rhetorical lives that began with their conception and production and played out in their circulation within foreign policy circles and popular media. Reflecting on the ramifications of spatial power during the period, Mapping the Cold War ultimately demonstrates that even in the twenty-first century, American visions of the world -- and the maps that account for them -- are inescapably rooted in the anxieties of that earlier era.

[Peter Turchi] compares the way a writer leads a reader though the imaginary world of a story, novel, or poem to the way a mapmaker charts the physical world. "To ask for a map," says Turchi, "is to say, 'Tell me a story.' " With intelligence and wit, the author looks at how mapmakers and writers deal with blank space and the blank page; the conventions they use or consciously disregard; the role of geometry in maps and the parallel role of form in writing; how both maps and writing serve to re-create an individual's view of the world; and the artist's delicate balance of intuition with intention.

In 1793 William Smith, a canal digger, made a startling discovery that was to turn the fledgling science of the history of the earth -- and a central plank of established Christian religion -- on its head. He noticed that the rocks he was excavating were arranged in layers; more important, he could see quite clearly that the fossils found in one layer were very different from those found in another. And out of that realization came an epiphany: that by following the fossils, one could trace layers of rocks as they dipped and rose and fell -- clear across England and, indeed, clear across the world. Determined to publish his profoundly important discovery by creating a map that would display the hidden underside of England, he spent twenty years traveling the length and breadth of the kingdom by stagecoach and on foot, studying rock outcrops and fossils, piecing together the image of this unseen universe.... The Map That Changed the World is, at its foundation, a very human tale of endurance and achievement, of one man's dedication in the face of ruin and homelessness.

At a time when Google Maps Street View can take you on a virtual tour of Yosemite’s remotest trails and cell phones double as navigational systems, it’s hard to imagine there’s any uncharted ground left on the planet. In Unruly Places, Alastair Bonnett goes to some of the most unexpected, offbeat places in the world to reinspire our geographical imagination.
Bonnett’s remarkable tour includes moving villages, secret cities, no man’s lands, and floating islands.

Imagine a world without maps. How would we travel? Could we own land? What would men and women argue about in cars?.... Follow the history of maps from the early explorers’ maps and the awe-inspiring medieval Mappa Mundi to Google Maps and the satellite renderings on our smartphones, Garfield explores the unique way that maps relate and realign our history—and reflect the best and worst of what makes us human. Featuring a foreword by Dava Sobel and packed with fascinating tales of cartographic intrigue, outsize personalities, and amusing “pocket maps” on an array of subjects from how to fold a map to the strangest maps on the Internet.

Denis Wood shows how maps are not impartial reference objects, but rather instruments of communication, persuasion, and power. Like paintings, they express a point of view. By connecting us to a reality that could not exist in the absence of maps--a world of property lines and voting rights, taxation districts and enterprise zones--they embody and project the interests of their creators. Sampling the scope of maps available today, illustrations include Peter Gould's AIDS map, Tom Van Sant's map of the earth, U.S. Geological Survey maps, and a child's drawing of the world.

Why is Europe at the top half of maps and Africa at the bottom? Although we are accustomed to that convention, it is, in fact, a politically motivated, almost entirely subjective way of depicting a ball spinning in space. As The Power of Projections teaches us, maps do not portray reality, only interpretations of it. To begin with, they are two-dimensional projections of a three-dimensional, spherical Earth. Add to that the fact that every map is made for a purpose and its design tends to reflect that purpose. Finally, a map is often a psychological projection of the historical, political, and cultural values of the cartographer--or of the nation, person or organization for which the map was created.

Maps have always captivated us, offering insights not only into our destinations but also into the broader world. Yet, when it comes to understanding geopolitics, many overlook the fundamental role of geography. All leaders of nations are constrained by geography--their choices limited by mountains, rivers, deserts, and seas....journalist Tim Marshall reveals the profound influence of geography on global politics, offering a compelling lens through which to understand the seismic shifts reshaping international relations.

Spanning many centuries, all continents and the realms of outer space and the imagination, this collection of 138 unique graphics combines beautiful full-colour illustrations with quirky statistics and smart social commentary. The result is a distinctive illustrated guide to the world. Brimming with trivia, deadpan humour and idiosyncratic lore, Strange Maps is a fascinating tour of all things weird and wonderful in the world of cartography.

Maps organize us in space, but they also organize us in time. Looking around the world for the last five hundred years, Time in Maps shows that today's digital maps are only the latest effort to insert a sense of time into the spatial medium of maps. Historians Kären Wigen and Caroline Winterer have assembled leading scholars to consider how maps from all over the world have depicted time in ingenious and provocative ways.

You Are Here is a wide-ranging collection of such superbly inventive maps. These are charts of places you're not expected to find, but a voyage you take in your mind: an exploration of the ideal country estate from a dog's perspective; a guide to buried treasure on Skeleton Island; a trip down the road to success; or the world as imagined by an inmate of a mental institution. With over 100 maps from artists, cartographers, and explorers, You are Here gives the reader a breath-taking view of worlds, both real and imaginary.