Classics and Greco-Roman Archaeology

"In this richly illustrated account of black-white contacts from the Pharaohs to the Caesars, Frank Snowden demonstrates that the ancients did not discriminate against blacks because of their color."

"Provides scholars and students with an exploratory intellectual history of the complex relationships between Classics and racist/anti-racist thought-systems. It collects together a series of readings of historical primary sources from the late medieval period until the mid-twentieth century, bringing to light how the classical tradition and post-ancient constructions of race have informed each other. Each reading is accompanied by an essay, written by a leading specialist who offers a discussion of the primary source."

"This study raises that difficult and complicated question on a broad front, taking into account the expressions and attitudes of a wide variety of Greek, Roman, Jewish, and early Christian sources, including Herodotus, Polybius, Cicero, Philo, and Paul. It approaches the topic of ethnicity through the lenses of the ancients themselves rather than through the imposition of modern categories, labels, and frameworks. A central issue guides the course of the work: did ancient writers reflect upon collective identity as determined by common origins and lineage or by shared traditions and culture?"

"There was racism in the ancient world, after all. This groundbreaking book refutes the common belief that the ancient Greeks and Romans harbored "ethnic and cultural," but not racial, prejudice. It does so by comprehensively tracing the intellectual origins of racism back to classical antiquity."

"This study attempts both to account for the role of race in the classical world and also to trace the intricate ways Greek and Roman racial ideologies continue to resonate in modern life. Underlining the role of race in shaping the ancient world, she ultimately turns to the influence of ancient racial formation on the modern world as well, an influence mediated by the receptions and appropriations of classical antiquity, borrowings that serve to shore up modernity and its continuing, albeit complex, juxtapositions of past and present."

"By offering fluent, accurate translations of extracts and fragments from a wide assortment of ancient texts, this volume allows a comprehensive overview of ancient Greek and Roman concepts of otherness, as well as Greek and Roman views of non-Greeks and non-Romans."

"Roman literature seems to provide plenty of instances of contempt towards foreign or black individuals, but it is an untenable assumption that such distaste amounts to a racist attitude, particularly considering how elusive the definitions of 'race' and 'racism' are. Making extensive use of developments in sociological theory and psychology, Romans and Blacks, first published in 1989, presents an innovative and illuminating picture of black-white relations in Roman society. It is argued that 'race' as a somatic identification that entails permanent and genetically transmitted social disabilities was absent, and that the main deference-entitling distinctions in the Roman world were socio-cultural rather than somatic."

"How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Sarah Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations."