Television Studies

What is happening today in the world of world television? With intense commercialization and more open national markets, along with technological convergence and greater concentration of ownership, the international TV landscape is changing at a bewildering pace and in a host of different ways. Contemporary World Television presents a unique overview of the global issues raised by these transformations in television. It looks at how they have affected the public interest and society across the globe and how the role of television as a nation-builder is experiencing erosion and evolution. ...

The face of U.S. television broadcasting is changing in ways that are both profound and subtle. Global Television uncovers the particular processes by which the international circulation of culture takes place, while addressing larger cultural issues such as identity formation. ...

For decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced by US and UK markets and exported to foreign markets. Global Television Formats revolutionizes television studies by de-provincializing its approach to media globalization.

What television viewers around the world watch often depends less on popularity or government policies than on the personal relationships between buyers and sellers in the international programme market. A few thousand acquisitions and distribution professionals decide what programmes the earth's inhabitants can watch, and who can watch them. This book provides an inside look at the cultural assumptions and business practices of these television merchants. It argues that the market in television programs responds principally to institutional needs, rather than to the wishes of the viewing public or the skills of television's creative artists. ...

Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century. Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. ...

From its earliest beginnings, television was destined to become one of the great new forces at work in the twentieth century. This new edition greatly expands the original and unique historical coverage of this most influential cultural phenomenon. Written by a distinguished international team of specialists, the book describes the history of television from its technical conception in the nineteenth century right through to the bewildering multi-media developments of the present. Alongside this historical account, chapters provide important discussion of the central debates affecting television world-wide, from America, Canada, and Britain to Europe, Scandinavia, Japan, China, South Asia, the Arab world, Australia, Africa, and the Third World. ...

Television studies must now address a complex environment where change has been vigorous but uneven, and where local and national conditions vary significantly. Globalizing media industries, deregulatory policy regimes, the multiplication, convergence and trade in media formats, the emergence of new content production industries outside the US/UK umbrella, and the fragmentation of media audiences are all changing the nature of television today: its content, its industrial structure and how it is consumed. Television Studies after TV leads the way in developing new ways of understanding television in the post-broadcast era. ...

Brazilian Telenovelas and the Myth of Racial Democracy examines what happens when a telenovela directly addresses matters of race and racism in contemporary Brazil. This investigation provides a traditional textual analysis of Duas Caras (2007-2008), a watershed telenovela for two main reasons: It was the first of its kind to present audiences with an Afro-Brazilian as the main hero, openly addressing race matters through plot and dialogue. Additionally, for the first time in the history of Brazilian television, the author of Duas Caras kept a web blog where he discussed the public's reactions to the storylines, media discussions pertaining to the characters and plot, and directly engaged with fans and critics of the program. ...

Channeling Cultures: Television Studies from India is a seminal collection of essays on regional, national and global itineraries of Indian television in the twenty-first century. At a time when the television landscape in India is undergoing a second wave of change with compulsory digitization, new interactivity and convergence, unforeseen forms of televisual publicness and renewed debates on self-censorship, media ethics and the code of content, the essays in the volume seek to provoke a fresh understanding of television as a crucial player in Indian culture and politics.

The recent transnational reach of Japanese television dramas in East and Southeast Asia is unprecedented, and not simply in terms of the range and scale of diffusion, but also of the intense sympathy many young Asians feel toward the characters in Japanese dramas, so that they cope with their own modern lives by emulating the lives on screen. Through the empirical analysis of how Japanese youth dramas are (re)produced, circulated, regulated, and consumed in East and Southeast Asia, each chapter in this volume variously explores the ways in which intra-Asian cultural flows highlight cultural resonance and asymmetry in the region under the decentering processes of globalization. ...

A discussion of how the process of globalization has affected personal freedom and how worldwide press associations have become outspoken advocates for ending human rights abuse.

This book is a comprehensive study of Nordic Noir television drama from the 1990's until today. The authors introduce the history of contemporary Nordic Noir from the perspective of place, production and location studies. The chapters include readings of well-known television crime dramas such as Beck, The Killing, Trapped and The Bridge as well as a range of other important Nordic Noir cases. ...

The past twenty years have seen major changes in the ways that television formats and programming are developed and replicated internationally for different markets--with locally focused repackagings of hit reality shows leading the way. But in a sense, that's not new: TV formats have been being exported for decades, with the approach and methods changing along with changes in broadcast technology, markets, government involvement, and audience interest. ...

The genesis and development of homegrown television drama in New Zealand are the subjects of this in-depth analysis. Spanning from the 1960s, when television itself was in its infancy, to modern times--an era of fragmented audiences, hundreds of channels, and declining public service ideals and funding--the study illustrates how television drama has reflected changes in ideas about cultural identity and New Zealand society.

Is British television the best television in the world? Britain is the second largest international exporter of television, with celebrated shows such as Walking with Dinosaurs, Who Wants to Be a Millionaire?, Teletubbies, and Bob the Builder securing unprecedented success worldwide. Selling Televison asks how and why some types of programming have worked better than others at a time when both government and industry have become concerned about British under performance in a competitive global marketplace. ...

Portrayed in Western discourse as tribal and traditional, Afghans have in fact intensely debated women's rights, democracy, modernity, and Islam as part of their nation building in the post-9/11 era. Wazhmah Osman places television at the heart of these public and politically charged clashes while revealing how the medium also provides war-weary Afghans with a semblance of open discussion and healing. After four decades of gender and sectarian violence, she argues, the internationally funded media sector has the potential to bring about justice, national integration, and peace. ...

The transnationalization of the Turkish television industry, which began in the late 1990s, has been continuing with enormous success with Turkish TV series now being exported to more than 150 countries. In both introductions to the double special issue, we contextualize television in Turkey as a significant cultural field of production within its historical background and trace the transnational trajectory of Turkish dramas in Turkey and abroad. ... [85, 3/4]

Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. ...

Special issue on "Remaking Global Television Culture." We do not have a current subscription, so get articles through Interlibrary Loan. (v.14, no. 2) .

This index covers over 300 journal and magazine titles for film and television reviews, scholarly and critical analysis of cinema and television, and articles of popular interest about film and television. About half the journals and magazines are film periodicals and the other half cover film and television with some regularity. Subject coverage includes film & television theory, preservation & restoration, writing, production, cinematography, technical aspects, and reviews.

The online version of 3 separate ISI indexes: Arts & Humanities Citation Index, Science Citation Index and, Social Sciences Citation Index.