Film Studies

The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms. This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. ...

Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while paying close attention to what might be regarded as feminist in different cultural contexts. The films chosen expand our ideas of feminism covering as they do film from Africa, Latin America, Europe, Asia and the US.

An introduction to feminist film theory as a discourse from the early seventies to the present. McCabe traces the broad ranging theories produced by feminist film scholarship, from formalist readings and psychoanalytical approaches to debates initiated by cultural studies, race and queer theory.

A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers.

Reclaiming the Archive: Feminism and Film History brings together a diverse group of international feminist scholars to examine the intersections of feminism, history, and feminist theory in film.

Spotlighting Asian Americans on both sides of the motion picture camera, Countervisions examines the aesthetics, material circumstances, and politics of a broad spectrum of films released in the last thirty years. This anthology focuses in particular on the growing presence of Asian Americans as makers of independent films and cross-over successes.

Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. ...

American anarchist critic Richard Kostelanetz remains a prolific force and a unique independent voice. This book presents a selections of his writings on film and video. Representing radical alternatives, he writes with uncommon perception not only about familiar issues but also about films customarily forgotten -- and always with his customary clarity.

In this collection of essays Thomas Sutcliffe looks past the dazzling surface of the movies at the ways in which they work their magic: be they Hollywood blockbusters or European 'arthouse' films. Watching is about how the simplest pleasures of cinema (from the satisfying impact of a well-filmed punch to the dreamlike wonder of a perfect close-up) have been crucial to the way in which the medium has evolved from a fairground novelty into the twentieth century's dominant form of cultural expression.

Criticism from a feminist viewpoint.

Today the Journal of Popular Film and Television remains the leading scholarly publication for socio-cultural analyses of films and television programming.

Jump Cut: A Review Contemporary Media is an Open Access journal run on a nonprofit basis by its staff and is not affiliated with or supported by any institution.