Television Genres

Beyond the Box gives students and couch potatoes alike a better understanding of what it means to watch television in an era of profound technological change.

Created around the world and available only on the web, Internet "television" series are independently produced, mostly low budget shows that often feature talented but unknown performers. Typically financed through crowd-funding, they are filmed with borrowed equipment and volunteer casts and crews, and viewers find them through word of mouth or by chance. The fourth in a series covering Internet TV, this book takes a comprehensive look at 1,121 comedy series produced exclusively for online audiences. ...

Created around the world and available only on the Web, internet television series are independently produced, mostly low budget shows that often feature talented but unknown performers. Typically financed through online crowd-funding, they are produced with borrowed equipment and volunteer casts and crews, and viewers find them through word of mouth or by chance.

Before HBO's hit show Insecure, Issa Rae's comedy about being a nerdy black woman debuted as a YouTube web series The Misadventures of Awkward Black Girl, her response to the absence of diverse black characters on the small screen. Broad City, a feminist sitcom now on Comedy Central, originated as a web series on YouTube, developed directly out of funny women Ilana Glazer and Abbi Jacobson's real-life friendship. These unconventional stories took advantage of the freedom afforded outside the traditional television system: online. Open TV shows how we have left "the network era" far behind and entered the networked era, with the web opening up new possibilities for independent producers, entrepreneurs, and media audiences. ...

In the late 2000s, television no longer referred to an object to be watched; it had transformed into content to be streamed, downloaded, and shared. Tens of millions of viewers have 'cut the cord,' abandoned cable television, tuned into online services like Netflix, Hulu, and YouTube, and also watch pirated movies and programmes at an unprecedented rate. The idea that the Internet will devastate the television and film industry in the same way that it gutted the music industry no longer seems farfetched. The television industry, however, remains driven by outmoded market-based business models that ignore audience behaviour and preferences. In Post-TV, Michael Strangelove explores the viewing habits and values of the post-television generation, one that finds new ways to exploit technology to find its entertainment for free, rather than for a fee. ...

In this ground-breaking study, Glen Creeber gives a critical and historical account of small screen aesthetics, tracing its origins from the early days of television through to the arrival of the internet, YouTube and beyond. ...

In the tradition of Phil Knight's Shoe Dog comes the incredible untold story of how Netflix went from concept to company-all revealed by co-founder and first CEO Marc Randolph. Once upon a time, brick-and-mortar video stores were king. Late fees were ubiquitous, video-streaming unheard was of, and widespread DVD adoption seemed about as imminent as flying cars. Indeed, these were the widely accepted laws of the land in 1997, when Marc Randolph had an idea. It was a simple thought-leveraging the internet to rent movies-and was just one of many more and far worse proposals, like personalized baseball bats and a shampoo delivery service, that Randolph would pitch to his business partner, Reed Hastings, on their commute to work each morning. But Hastings was intrigued, and the pair-with Hastings as the primary investor and Randolph as the CEO-founded a company. Now with over 150 million subscribers, Netflix's triumph feels inevitable, but the twenty-first century's most disruptive start up began with few believers and calamity at every turn. ...

TV Outside the Box: Trailblazing in the Digital Television Revolution explores the new and exploding universe of on-demand, OTT (Over the Top) networks: Netflix, Amazon, Hulu, Crackle, CW Seed, Vimeo, AwesomenessTV, and many more. ...

This is a SWOT (Strengths, Weaknesses, Opportunities & Threats) analysis for Netflix, Inc.

Use this index to find articles about this TV genre.

This index searches a variety of scholarly and popular business publications including the Business of Media.

The online version of 3 separate ISI indexes: Arts & Humanities Citation Index, Science Citation Index and, Social Sciences Citation Index.

The series centers around the experiences of Vivian McMillan (Rachael Hip-Flores), a sixteen-year-old lesbian whose father's illness prompts the two of them to move from Manhattan to the home of Vivian's maternal aunt in Westchester, about 30 minutes away. Vivian attempts to maintain her relationship with her girlfriend Aster Gaston (Nicole Pacent) while enrolling in a new school, negotiating old childhood connections, and establishing a new social circle in what she perceives to be a substantially different environment from her previous home in the city.

Between Two Ferns with Zach Galifianakis is a talk show hosted by comedian Zach Galifianakis and featuring celebrity guests. Episodes last several minutes, in which the interviewer (Galifianakis) and guest trade barbs and insults.

The concept for the show grew out of my own journey, and utilizing my ability to capture the essence of women through our universal language of shared experiences and solutions. In addition to reaching a television audience in 18 countries, THE CONVERSATION lives online as an active community and website.

Funny Or Die is a comedy video website that combines user-generated content with original, exclusive content. The site is a place where celebrities, established and up-and-coming comedians and regular users can all put up stuff they think is funny. At the same time, the site hopes to eliminate all the junk that people have to pick through to find videos. That means around here you get to vote on what videos are funny and what videos deserve to die.

The show follows the life of J as she interacts with co-workers and love interests who place her in uncomfortable situations. The story is told through first-person narrative as J usually reveals how she feels about her circumstances through voice-over or dream sequence.

THE SLOPE is a comedy that follows the lives of a lesbian couple navigating their way through modern-day Park Slope, Brooklyn. One year into their relationship, Ingrid and Desiree continue to hash out a power dynamic that ends up making them look homophobic, superficial and ultimately, perfect for one another.