Television Genres

The book enables readers to understand the representation of the church on television, how this compares to actual historical accounts of the church in the same era, and why popular culture depicts the church as it does. It examines TV's depiction of church leaders and the issues they faced over time.

This volume addresses the various and highly topical controversies surrounding religious television by examining its history, structure, content, viewership, and social impact. It represents a compilation of original essays written by the world's leading scholars, regulators, authorities, and watchdogs of religious television. ...

The presence of women and African Americans not simply as viewers, but also as televangelists and station owners in their own right has dramatically changed the face of American religious broadcasting in recent decades. Colored Television looks at the influence of these ministries beyond the United States, where complex gospels of prosperity and gospels of sexual redemption mutually inform one another while offering hopeful yet socially contested narratives of personal uplift. ...

From the mid-90s to the present, television drama with religious content has come to reflect the growing cultural divide between white middle-America and concentrated urban elites. As the author argues in this book, by 2016, television narratives of white Christianity had become entirely disconnected from the religion they were meant to represent. Programming labeled "family-friendly" became a euphemism for white, middlebrow America, and developing audience niches became increasingly significant to serial dramatic television. Utilizing original case studies and interviews, Divine Programming investigates the development, writing, producing, marketing, and positioning of key series including 7th Heaven, Friday Night Lights, Rectify, Supernatural, Jane the Virgin, Daredevil, and Preacher. ...

In 1974 Jim and Tammy Bakker launched their television show, the PTL Club, from a former furniture store in Charlotte, N.C. with half a dozen friends. By 1987 they stood at the center of a ministry empire that included their own satellite network, a 2300-acre theme park visited by six million people a year, and millions of adoring fans. The Bakkers led a life of conspicuous consumption perfectly aligned with the prosperity gospel they preached. They bought vacation homes, traveled first-class with an entourage and proclaimed that God wanted everyone to be healthy and wealthy. ...

How Black Christians, Muslims, and Jews have used media to prove their equality, not only in the eyes of God but in society. The institutional structures of white supremacy--slavery, Jim Crow laws, convict leasing, and mass incarceration--require a commonsense belief that black people lack the moral and intellectual capacities of white people. It is through this lens of belief that racial exclusions have been justified and reproduced in the United States. Televised Redemption argues that African American religious media has long played a key role in humanizing the race by unabashedly claiming that blacks are endowed by God with the same gifts of goodness and reason as whites--if not more, thereby legitimizing black Americans' rights to citizenship. ...

Churches and other religious organizations have always conducted or commissioned media research addressing their interests. Scholarly journals have always published occasional articles dealing with religion and media. However, as a distinct area for scholarly inquiry, religion and media owes its origin in the United States to a confluence of events during the late 1970s that made religion important in a way it had not been since the 1925 Scopes trial. ...

Use this index to find articles about this TV genre.

A comprehensive survey of current publications related to film scholarship alongside detailed filmographies. This collection includes the FIAF International Index to Film Periodicals Database and the detailed and complementary filmographies created by the American Film Institute (AFI) and the British Film Institute.

The Media History Digital Library digitizes collections of classic media periodicals that belong in the public domain for full public access. The project is supported by owners of materials who loan them for scanning, and donors who contribute funds to cover the cost of scanning.

The Collection feature extensive runs of several important trade papers and fan magazines.

The online version of 3 separate ISI indexes: Arts & Humanities Citation Index, Science Citation Index and, Social Sciences Citation Index.

Breathtaking in scope and scale, The Bible features powerful performances, exotic locales and dazzling visual effects that breathe spectacular life into the dramatic tales of faith and courage from Genesis through Revelation.

1934. The Dustbowl. The last great age of magic. In a time of titanic sandstorms, vile plagues, drought and pestilence - signs of God's fury and harbingers of the Apocalypse - the final conflict between good and evil is about to begin. The battle will take place in the heartland of an empire called America, where a traveling carnival harboring Ben Hawkins, a troubled healer, will clash with an evangelical ministry led by Borther Justin Crowe.

In the beginning and eleven years ago, two immortal beings decide that it might not be time to start an Apocalypse. Having followed the wrong boy for years, Aziraphale and Crowley must now try to locate the whereabouts of the real Antichrist. Perhaps the story of Agnes Nutter and her famous prophecies will hold the answer?

Joan Girardi an average 16-year-old is going through the growing pains typical of an teenager. But after she and her family relocate to Arcadia, her life gets especially interesting when God starts paying her visits.