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  1. Dartmouth Libraries
  2. Research Guides
  3. Dartmouth Libraries Guides
  4. Film Genres
  5. Gangster films

Film Genres

This guide highlights library resources for some of the more popular film genres.
  • Introduction
  • Streaming services
  • Action films
  • Amateur films
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    • Stop-motion animation
  • Animé
  • B movies
  • Biographical films
  • Blaxploitation films
  • Children's films
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  • Cult films
  • Crime films
    • Gangster films
  • Detective & mystery films
  • Documentary films
  • Ethnographic films
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    • Slasher films
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  • LGBTQIA+
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  • Newsreels This link opens in a new window
  • Police films
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Film Studies Librarian

Profile Photo
Lucinda M. Hall
Email Me
Contact:
Evans Map Room, Baker-Berry Library
Dartmouth College
25 N Main ST
Hanover, NH 03755
(603) 646-0962
Website Skype Contact: d1128r8@kiewit.dartmouth.edu
Social: LinkedIn Page LibraryThing Page
Subjects: Film and Media Studies, Geography, Polar Studies

Finding scholarly articles and journal title(s)

  • Resource logoFilm & television literature index
    • On Campus or VPN
    • Database
    Call Number: Electronic resource
    This index covers over 300 journal and magazine titles for film and television reviews, scholarly and critical analysis of cinema and television, and articles of popular interest about film and television. About half the journals and magazines are film periodicals and the other half cover film and television with some regularity. Subject coverage includes film & television theory, preservation & restoration, writing, production, cinematography, technical aspects, and reviews.
  • Resource logoThe web of science citation databases by ISI (Institute for Scientific Information)
    • On Campus or VPN
    • Database
    Call Number: Electronic resource
    The online version of 3 separate ISI indexes: Arts & Humanities Citation Index, Science Citation Index and, Social Sciences Citation Index.

Internet resource(s)

  • Wikipedia logo
    Gangster film from Wikipedia
    • Link
    A gangster film or gangster movie is a film belonging to a genre that focuses on gangs and organized crime. It is a subgenre of crime film, that may involve large criminal organizations, or small gangs formed to perform a certain illegal act. ...

A short definition for gangster films

A subgenre of the crime film, set within the milieu of organized crime. There are numerous antecedents of the gangster film in early crime films such as A Daring Daylight Burglary (Frank S. Mottershaw, UK, 1903), The Moonshiners (Wallace McCutcheon, US, 1904), and Desperate Encounter Between Burglars and Police (Edwin S. Porter and Wallace McCutcheon, US, 1905). There was a major cycle of gangster films (or ‘crook melodramas’) in the mid 1910s, including The Musketeers of Pig Alley (D.W. Griffith, US, 1912), and again in the late 1920s. Underworld (Josef von Sternberg, US, 1927), written by former reporter Ben Hecht and based on real events, is often said to herald the arrival of the ‘classic’ studio-produced Hollywood gangster films of the 1930s (see also studio system). More than fifty gangster films were made between 1930 and 1932, including Little Caesar (Mervyn LeRoy, 1930), The Public Enemy (William Wellman, 1931), and Scarface (Howard Hawks, 1932). These films were popular with audiences and quickly established a distinct iconography of city settings (Chicago, New York), sharp suits, fast cars, the glamorous moll (gangster’s girlfriend), and machine guns. The gangster’s tough, masculine physical demeanour was marked in the performance styles of key stars such as James Cagney, Edward G. Robinson, Humphrey Bogart, and Paul Muni (see masculinity). The introduction of synchronized sound ensured that hardboiled dialogue, gunfire, and screeching car tires also became central features of the genre. The most common narrative arc in the ‘classic’ period follows the gangster from rags to riches to destruction (inviting comparison to classical tragedy). The genre’s strong association with Warner Bros, a studio with a commitment to making social problem films, ensured that the sensational violence, stylized mise-en-scene, and sharply-paced plots were combined with a notional aim to shed light on organized crime as a pressing social problem (see studio style). As such the gangster movie often makes claim to a certain kind of social realism, especially given its symbiotic relationship with contemporaneous events (with plots often taken from newspaper reportage) and fascination with real-life criminals such as Al Capone, John Dillinger, Charlie ‘Lucky’ Luciano, and Bonnie Parker and Clyde Barrow.   ...

Kuhn, A., & Westwell, G. (2020). Gangster film. In A Dictionary of Film Studies. Oxford University Press. Retrieved 9 Jun. 2022

Finding library resources for gangster films

To find what we have in the Library's collection, you can do a subject search for "gangster films" in the online catalog. That search will show you what film titles are classified as gangster films as well as books and other items about them. This search will also include books on the "history and criticism" of the genre itself. You will also get resources about gangster films produced in other countries.

  • gangster films
    Books and other items are scattered throughout call number range PN 1995.9 .G3 on Baker Level 4.
  • mafia in motion pictures
    Most books are scattered throughout call number range PN 1995.9 .M23 on Baker Level 4.

Introductory reading(s)

  • Cover ArtBullets over Hollywood: the American gangster picture from the silents to The Sopranos by John McCarty
    • Book
    Call Number: Baker-Berry PN 1995.9 .G3 M34 2004
    ISBN: 9780306813016
    Publication Date: 1st Da Capo Press ed.
    The gangster, like the gunslinger, is a classic American character-and the gangster movie, like the Western, is one of the American cinema's enduring film genres. From Scarface to White Heat, from The Godfather to The Usual Suspects, from Once Upon a Time in America to Road to Perdition, gangland on the screen remains as popular as ever.In Bullets over Hollywood, film scholar John McCarty traces the history of mob flicks and reveals why the films are so beloved by Americans. ...
  • Cover ArtA companion to the gangster film by George S. Larke-Walsh, ed.
    • On Campus or VPN
    • E-Book
    Call Number: eBook
    ISBN: 9781119041665
    A companion to the study of the gangster film's international appeal spanning the Americas, Europe, and Asia. A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America's most popular genres, gangster movies appear in every film industry across the world. ...
  • Cover ArtGangster films by Jim Smith
    • Book
    Call Number: Baker-Berry PN 1995.9 .G3 S65 2004
    ISBN: 9780753508381
    Giving a detailed analysis of over 20 films including The Racket, Big Sleep, Brighton Rock, Goodfellas, Sexy Beast, Pulp Fiction, Get Carter and Angels with Dirty Faces, this is a guide to gangsters through the ages on the big screen.
  • Cover ArtThe ultimate book of gangster movies: featuring the 100 greatest gangster films of all time by George Anastasia; Glen Macnow
    • Book
    Call Number: Baker-Berry PN 1995.9 .G3 A53 2011
    ISBN: 9780762443703
    The gangster movie is one of the most popular genres in film. From the Italian, Irish, and Russian "families" in America to similarly sinister groups in Europe, Japan, and beyond, the cinema has never shied away from portraying the evil exploits of these brutal outfits. In this highly entertaining and informative book, two accomplished and apropos authors put the genre in perspective like no other author or documentarian has done before. The Ultimate Book of Gangster Movies provides extensive reviews of the Top 100 gangster films of all time, including sidebars like "Reality Check," "Hit and Miss," "I Know That Guy," "Body Count," and other fun and informative features. ...

Selected book title(s)

  • Cover ArtDying to belong: gangster movies in Hollywood and Hong Kong by Martha P. Nochimson
    • Book
    Call Number: Baker-Berry PN 1995.9 .G3 N63 2007
    ISBN: 9781405163712
    This fascinating book begins with a new definition of the gangster film and a challenging exploration of the Hong Kong and Hollywood screen traditions. Illuminates the way gangster films deal with the ambiguities of modern life, correcting the notion that this genre is inconsequential sensationalism. ...
  • Cover ArtThe gangster film: fatal success in American cinema by Ron Wilson
    • On Campus or VPN
    • E-Book
    Call Number: eBook
    ISBN: 9780231172073
    This volume examines the gangster film in its historical context with an emphasis on the ways the image of the gangster has adapted and changed as a result of socio-cultural circumstances. From its origins in Progressive-era reforms to its use as an indictment of corporate greed, the gangster film has often provided a template for critiquing American ideas and values concerning individualism, success, and business acumen. The gangster genre has also been useful in critically examining race and ethnicity in American culture in terms of "otherness." ...
  • Cover ArtMafia movies: a reader by Dana Renga, ed.
    • On Campus or VPN
    • E-Book
    Call Number: eBook
    ISBN: 9781487520137
    Publication Date: 2nd ed.
    The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. ...
  • Cover ArtPump 'em full of lead: a look at gangsters on film by Marilyn Yaquinto
    • Book
    Call Number: Baker-Berry PN 1995.9 .G3 Y37 1998
    ISBN: 9780805738926
    Investigating the screen presence of the gangster since the birth of the cinema, this book begins with the silent masterpieces that shaped the genre, moves through the feisty bootleggers of James Cagney, the noir flatfoots of Humphrey Bogart, and the mobsters of the 50s. The second half of the book examines the gore-fest of gangsters in the modern era: from Bonnie and Clyde to the dapper dons of The Godfather, from Martin Scorsese's pithy wiseguys to Brian De Palma's fiery Latinos. It then moves on to Quentin Tarantino's colour-coded hoodlums of Resevoir Dogs to his Pulp Fiction.

Other library resource(s)

  • Cover artPublic enemies: the golden age of the gangster film by Constantine Nasr
    • DVD
    Call Number: Jones Media DVD #11279
    As popular as the classic gangster movies were in their heyday, they still hold power over their audiences today. Explore the invention and development of the crime genre from the turn of the century to the silent era to the rise of the great Warner Bros. stars and directors. The films themselves and the influence they had on filmmakers all over the world and the artistic merit these defining classic films still warrant. Learn about the effect of Prohibition, Censorship, the Depression and World War II on the rise of criminality in society, and its subsequent reflection seen on-screen.
  • Resource logoGangster films from Oxford Bibliographies Online by Fran Mason
    • On Campus or VPN
    Call Number: Electronic resource
    ISBN: 9780199791286
    The study of gangster films extends back to the 1970s when the development of film studies as an academic discipline generated new perspectives to provide a scholarly framework for the analysis of film. Alongside the study of film theory, national cinemas, and film histories, genre theory and the parallel creation of a taxonomy of genres and the study of specific genres were among these new approaches to film. During the 1970s the iconography, narrative structures, and ideological or cultural parameters of the gangster film were established as part of this critical methodology, very often alongside or in contrast to the western, because of shared concerns with individuality, masculinity, and social concerns. ...

Selected film titles

Find more gangster films in the library's online catalog.

  • Cover ArtThe hit by Stephen Frears
    • DVD
    Call Number: Jones Media DVD #8890
    ISBN: 9781604651256
    In London in 1973, Willie Parker informed on his gangster colleagues. Ten years later he is violently snatched from his Spanish tranquil village retreat by hit men who are surprised to find out they have a completely willing victim on their hands.
  • Cover ArtJackie Brown by Quentin Tarantino
    Call Number: Jones Media DVD #1005
    ISBN: 9780788830532
    A sexy stewardess, a street-tough gun runner, a lonely bail bondsman, a shifty ex-con, a stoned-out beach bunny and an earnest federal agent converge in a quest for a missing half million dollars.
  • Cover ArtLola rennt = Run Lola run by Tom Tykwer
    • DVD
    Call Number: Jones Media DVD #198
    ISBN: 9780767837385
    Time is running out: Lola has just received a frantic call from her boyfriend Manni, who's accidentally lost a small fortune he was to deliver to his mobster boss. If they cannot find a way to replace the money within twenty minutes, Manni will surely suffer severe consequences.
  • Movie poster artLong hu feng yun = City on fire by Ringo Lam
    • DVD
    Call Number: Jones Media DVD #1184
    An undercover cop infiltrates a gang of violent bandits.
  • Movie poster artTezaab = Tezāba: a violent love story by N. Chandra
    • DVD
    Call Number: Jones Media DVD #13186
    A modern Robin Hood tale in which Mahesh Deshmukh, a one time psychology student, assumes the name of Munna and extracts protection money from dwellers within his turf, but he also challenges other gangsters who harm his charges. Munna becomes romantically involved with a nightclub singer-dancer-entertainer whose father has made a deal with the club's owners, ruthless mobsters towards whom Mahesh holds a grudge.
  • Movie poster artZhmurki = Dead man's bluff by Aleksei Balabanov
    • DVD
    Call Number: Jones Media DVD #5274
    Trigger-happy sibling assassins Simon and Sergei work as errand boys for Mikhailovich, the sadistic kingpin of a provincial Russian town.

Keeping up with Film Studies journal literature

Want an easy way to keep up with the journal literature for all facets of Film Studies? And you use a mobile device? You can install the BrowZine app and create a custom Bookshelf of your favorite journal titles. Then you will get the Table of Contents (ToCs) of your favorite journals automatically delivered to you when they become available. Once you have the ToC's, you can download and read the articles you want from the journals for which we have subscriptions.

You can get the app from the App Store or Google Play.

Don't own or use a mobile device? You can still use BrowZine! It's also available in a web version. You can get to it here. The web version works the same way as the app version. Find the journals you like, create a custom Bookshelf, get ToCs and read the articles you want.

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  • Last Updated: May 30, 2025 10:55 AM
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