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This guide includes resources for Denmark, Finland, Iceland, Norway and Sweden. You can use the subject headings below to find resources in the online catalog. The call number ranges are also included. Please note: these are not the only call number ranges, but they have the majority of items.
"Northern Europe: Political Map." World Geography and Culture Online. Facts On File, Inc. Web. 31 Mar. 2017
Film in Scandinavia
Scandinavia (which, strictly speaking, comprises Sweden, Denmark and Norway but is commonly taken to include the other Nordic countries, Finland and Iceland) played a major role in the early development of cinema, with exchanges of personnel between countries, as well as throughout wider Europe, especially Germany and Russia, being commonplace into the 1920s. Some very old established production companies still survive: for example Nordisk Films Kompagni (Denmark, founded 1906), Svensk Filmindustri (Sweden, founded 1907), and Norway’s Norsk Film, founded in 1935. From the 1930s through the 1950s, all the Scandinavian national cinemas tackled issues surrounding the modernization and urbanization of what were until lately rural societies: these concerns are worked over, for instance, in Finland’s peasant melodramas and in the Swedish rural melodrama. In the 1960s, all the Scandinavian cinemas showed the influence of European new waves, while some (especially those of Denmark and Sweden) gained an international reputation for sexual explicitness (see pornography). The unexportable popular genres of comedy and farce, though showing considerable national differences in style and content, have been consistently popular in their home countries. Cinema is widely regarded in Scandinavia as an art form rather than, or as well as, simple entertainment; and a distinctive element of film production throughout the region has been an aspiration to quality and/or social responsibility, often supported by government funding measures and through national film institutes (these latter being renowned in particular for their support of children’s films). During the 1960s these conditions gave rise to radical social cinemas that challenged censorship institutions, especially around issues of sexual freedom (as in Jörn Donner’s Sixtynine (Finland, 1969) and Mac Ahlberg’s Jeg—en kvinde/I, a Woman (Denmark, 1965)). ...
Kuhn, A., & Westwell, G. (2020). Scandinavia, film in. In A Dictionary of Film Studies. Oxford University Press. Retrieved 30 May. 2021
See also Film in Denmark; Film in Finland; Film in Iceland; Film in Norway or Film in Sweden in A Dictionary of Film Studies.
You can find many publications which feature articles on Scandinavian cinema. Our collection does not have journals which cover the Scandinavian countries exclusively. You can use Film & Television Literature Index to find articles or use the search box at the top of the page.
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