As part of the French colony of Indochina (Vietnam, Cambodia, Laos), films in Vietnam were largely imported from France via the Indochina Films and Cinemas company (IFC) and to a lesser extent from the USA, Britain and Hong Kong. French-trained photographer Nguyen Lan Huong (aka Huong Ky) made the short film comedy Mot dong kem tau duoc ngua/A Penny for a Horse in 1924, as well as filming the funeral of Emperor Khai Dinh and the enthronement of Bao Dai in 1926. The ghost story Canh dong ma/The Haunted Field (1937), an early synchronized sound film directed by Tran Phi, was shot in a Hong Kong studio with Vietnamese actors.
Before a distinct Vietnamese cinema could be established, the First Indochina War (1945–54), a struggle for independence from French colonial rule, put the country and its filmmakers on a war footing. The war initiated a tradition of propagandist documentary filmmaking, with Viet Nam tren duong thang loi/Vietnam on the Road to Victory (1953) and Dien Bien Phu (1954), which described the eponymous battle that led to French defeat, deemed important examples. In 1954 the Geneva Peace Accords divided North and South Vietnam pending national elections; in the North, the Vietnam Film Studio was established in 1956, with the Hanoi Film School opening in 1959; the first (North) Vietnamese feature film was Chung mot dong song/Together on the Same River (1959), directed by Nguyen Hong Nghi and Pham Ky Nam. The US-supported regime in South Vietnam prevented elections, which led to the Second Indochina War (1955–75), known in the West as the Vietnam War and in Vietnam as the American War. Hundreds of North Vietnamese war documentaries and newsreels, as well as a number of docudramas, were made during the conflict, with Du kích Cu Chi/Cu Chi Guerillas (1967) and Luy thep Vinh Linh/The Vinh Linh Steel Rampart (Ngoc Qunih, 1970) considered important films. ...
Kuhn, A., & Westwell, G. (2020). Vietnam, film in. In A Dictionary of Film Studies. Oxford University Press. Retrieved 1 May. 2023
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